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Le travail de Naomi Nakazato explore l’univers digital pour en ressortir de nombreux aspects esthétiques. Les pixels, les déformations, les glitchs, les trames sont mis en résonance avec des sujets traditionnels. L’œuvre de Naomi Nakazato est en somme une mise en dialogue, par le volume et l’image, de deux réalités.
Il est intéressant de noter que la lithographie tient un rôle majeur et singulier dans son oeuvre, car elle est également un élément au service de ses volumes.
Le travail de Naomi Nakazato nous apparaît comme une sorte de mise à jour de l’histoire de l’art sous le prisme de l’esthétique numérique. Elle réalise dans sa production le passage d’un univers à un autre.
| 2020 | Roadside Picnic , Field Projects, | New York, NY (curated by Rachel Frank) |
| 2020 | Alex Jones x Naomi Nakazato x Callum Murphy, | Galerie Tracanelli, Grenoble, FR |
| 2020 | Respawn the Seeds Worthy of Life Inside the Earth | Flatlands (curated by Mitch Patrick) |
| 2020 | GIFC NYC | The Hole, New York, NY |
| 2020 | Enough! or #toomuch | SPRING/BREAK, New York, NY (curated by Cami Ledy) |
| 2019 | American Earthquake | VACATION Gallery, New York, NY (organized by Olympia Projects, curated by Madeleine Bialke) |
| 2019 | Constructed Sites/Unfamiliar Selves | Lower East Side Printshop, New York, NY (curated by Jennifer Gerow) |
| 2019 | Magic Wave Summer, | Online Exhibition, Young Space (curated by Mark Joshua Epstein and Kate Mothes) |
| 2019 | Rhythm Garden | Geary Contemporary, New York, NY (curated by Alan Prazniak) |
| 2019 | Twist and Twine | Paradice Palase, Long Island City, NY (curated by Tiffany Smith), juried grand prize winner |
| 2019 | Awaken | Lower East Side Print Shop, New York, NY (curated by Eileen Jeng Lynch) |
| 2019 | GIFC NYC | The Hole, New York, NY |
| 2019 | Gossamer | La Bodega, Brooklyn, NY (curated by Glorimar Garcia) |
| 2018 | A Nervous Rock Stands in the Sunset | NARS Foundation, Brooklyn, NY |
| 2018 | Flat File Program Opening | Tiger Strikes Asteroid, New York, NY |
| 2018 | Take Home a Nude | Sotheby’s, New York, NY |
| 2018 | All My Friends | Right Behind the New Museum, New York, NY (curated by Tom Levy) |
| 2018 | Practice: in Progress | NARS Foundation, Brooklyn NY (curated by Elisa Gutierrez Eriksen) |
| 2018 | nline Show #51: Our Souls to Keep | Field Projects, New York, NY (curated by Lissa River, Jacob Rhodes, Rachel Frank, Alissa Polan, Kristen Racaniello, and Mikela Wesson) |
| 2018 | artBangall | Bangall, NY (curated by Amanda Brown and Stephanie Del Carpio) |
| ... |
| 2020 | Emergency Grant, Foundation for Contemporary Arts | New York |
| 2020 | TSA STAR | Tiger Strikes Asteroid New York, Brooklyn, NY |
| 2019 | FST StudioProjects Fund | |
| 2018 | Keyholder Residency, | Lower East Side Printshop, New York, NY |
| 2017 | Elizabeth Greenshields Foundation Grant | |
| 2017 | Leipzig International Art Programme (LIA) Residency | Leipzig, DE |
| 2016 | Elizabeth Greenshields Foundation Grant Academy Scholar Award | New York |
| 2015 | Brandon Fellowship Recipient, The Greenville Center for Creative Arts | Greenville, SC |
| 2014 | Outstanding Student in Painting & Drawing | Anderson University |
| 2010 | Art Scholarship/Academic Scholarship, Anderson University, Anderson, SC |
| 2018 | MFA Painting | New York Academy of Art, New York, NY |
| 2014 | BA Painting & Drawing | Anderson University, Anderson, SC |
| 2019 | Art Maze Mag, Summer Issue 13 | |
| 2019 | Artspace.com, Torey Akers, “The Best of Summer Group Shows: 5 Emerging Artists Who Deserve Solos Next Season” | |
| 2016 | Greenville Journal, Caroline Hafer, “Craft: Naomi Nakazato”, vol. 18, no. 32 | |
| 2014 | Ivy Leaves, Literary Journal of Literature and Art, Hunter Burton & Cory Rabideau, Artist Spotlight, vol. 89 | |
| 2014 | Forge Art Magazine, vol. 3, 47-50 | |
| 2013 | Ivy Leaves, Literary Journal of Literature and Art, vol. 88, page 26- 27, 112-113 | |
| 2012 | Ivy Leaves, Literary Journal of Literature and Art, vol. 87 | |